The lawyer Fernando Núñez, has mixed for years with the robe and the comb. Lawyer and painter, this man from Malaga who already predicted the significance of Artificial Intelligence greater than 30 years in the past, has simply inaugurated an exhibition of work by which he has used it to create new universes.
The Antequera Provincial Council Art Museum (Málaga) is internet hosting till October 15 the exhibition ‘IA: Pigments in transit’, a pattern of 36 work created by Fernando Núñez utilizing Artificial Intelligence, the identical one on which he printed his doctoral thesis on the UNED in 1990 ‘Expert programs utilized to Procedural Law or, in different phrases, a preview of future AI, utilized to judicial decision-making’.
Now, with this exhibition, he addresses the query of whether or not AIs are a risk to the artwork world and to artists of any self-discipline. To face this query, Fernando Núñez makes use of these new technological instruments to discover renewed elements of his creativity, interacting with generative AIs to acquire outcomes from them.
In this manner, the artist has created actual pictures that from the bodily have made him transit to immaterial bits, turning them into unreals to lastly conclude them as bodily and tangible, full of sunshine, coloration, soul, with disturbing eyes of gazes.
The writer’s approach
And it’s that, if there may be any aspect that may very well be cited as a continuing within the work of Fernando Núñez, along with his lifelike and detailed approach, his use of coloration and lighting, and his sensitivity in direction of the emotional elements of his characters, it’s the illustration of intense and expressive gazes to convey all kinds of feelings, from unhappiness and loneliness to ardour and need.
The eyes of the characters, in many of the artist’s works, are the point of interest of the composition, and the identical happens within the works that make up this exhibition.
In addition, the Sorollesque oranges of the setting solar and the blues of a sea in summer season even have a spot in a brand new interpretation. Also noteworthy are his feminine faces and the spatulated backgrounds, an indication of the artist’s identification. You can even see a nod to Velázquez with kaleidoscopic, present, totally different meninas that convey the classics to the current, merging into variations that solely the AI and the artist, in intimate communion, have created.
“You must see the work to know that spherical journey of the picture, that decomposition-composition to attain a shocking last end result”, defined the vice chairman.
For her half, the curator of the exhibition highlighted that “AI presents a lot to those that know learn how to perceive it, that artwork may by no means finish. Just as the most effective of statues may be born from a tough marble, within the palms of those that know learn how to see it, AI can provide inspiration to those that know what they’re on the lookout for”, she assured, concluding that AI “wants man, his interplay, to ensure that each to fuse and seize the most effective of every world”.
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