They are neither bored nor unemployed, they’re merely unconditional followers of Manuel Carrasco. For this purpose, from this Monday, they camp within the neighborhood of the La Cartuja Stadium the place the artist’s tour begins subsequent Friday. “We wish to be within the entrance row,” Armando Salas explains to NIUS. Next to him, Vanessa, Azahara, Miriam, Raquel, Eva and Montse.
They are live performance pals. “We met on this and have already maintained a friendship past music,” she says. On the final tour they attended the artist’s 19 concert events, and in all however a few them, they managed to get in first, after a number of days tenting overseas. “It is a form of coexistence. You meet once more with some, you meet others ”, clarify these followers who’ve been followers of the singer since his beginnings.
Already consultants in queuing, they arrive completely ready. Tents, mattresses, sleeping luggage, fridges, seats. Everything you want for the multiple hundred hours of ready that lie forward. But in the meantime, they insist, life goes on. “We proceed with our obligations. We take turns going to work”, says Armando, who works within the afternoon and goes to high school within the morning and at evening.
Double live performance on June 2 and three with greater than 120,000 attendees
In simply three days, Manuel Carrasco will start his ‘Corazón y flecha 2023’ tour and can accomplish that twice, on June 2 and three, on the Estadio de la Cartuja, the place he has already damaged all data by being the primary Spanish artist to get greater than 70 thousand folks on the final tour.
All because of unconditional followers of the artist like Armando and his pals who comply with him wherever he goes. In 2020 they even accompanied him at his live performance in Mexico and on the American tour ‘Corazón y flecha’ this yr, they went to see him in New York. “In addition to his music and his lyrics, he is a superb particular person, very shut. He continues to be the identical as 20 years in the past ”, this fan explains that he doesn’t intend to lose the custom of ready for him, in time, in every of his performances.
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